New York City will be thematically
and visually represented at this year’s “Chai Five” Jewish Food and Folk
Festival. It really isn’t that easy to create an ambience in Las Cruces, New
Mexico that truly approximates the feeling of walking on a street in Manhattan,
Brooklyn or Queens (based on my own personal experience). We can, of course,
present culinary offerings that are common in or near a city with a large
Jewish community.
During Rhonda’s and my “spring
break” visit to the Big Apple, we were treated to the sights, tastes and smells
of characteristic Jewish foods. Eating establishments on the Upper East Side of
Manhattan (near where the New York Karols live) feature bagels, lox and various
cream cheeses; kosher meat dishes (chicken schawarma has become my favorite);
and a breakfast café, where Adam, Juli and I heard several conversations in
Hebrew. A nearby supermarket touted the widest selection of Passover items in
the city. One bakery displayed small challot, challah rolls and sweet
delicacies right in the window. My choice for lunch at “Russ and Daughters” at
the Jewish Museum featured a pumpernickel bagel, cream cheese and lox with a
Dr. Brown’s diet black cherry soda.
What affected me the most were the
items displayed in two adjoining galleries. The first gallery presented items
from Terezin, the Theresienstadt "camp-ghetto" in Czechoslovakia,
which existed between November, 1941 and May, 1945. According to the United
States Holocaust Memorial Museum website, Theresienstadt served as a transit
camp for Czech Jews to be sent to other
camps, and, later, as a ghetto-labor
camp where the Nazi regime created a cultural life that successfully concealed
the nature of the camp itself and the ultimate
deportations. The exhibit included an art piece with verses from Psalms that
were suggested to the artist by Rabbi Leo Baeck, a liberal rabbi in Germany who
survived throughout the war and settled in London afterwards. There was a
chanukiah and a piece of jewelry with multiple symbols, both fashioned in the
camp. There were drawings that depicted scenes in Theresienstadt that offer
evidence of life there at that tragic time.
In the next room was an exhibit of
stereographic photographs from the Middle East from the years before and after
1900. There were viewers provided for visitors to look at the images in their
“near-3D” format. One stereograph showed worshippers at the Western Wall (men
and women together). There were other scenes of Jerusalem and Jewish settlement
in the land at the time.
Before we moved on to another floor,
I took a moment to reflect on what I had just seen. There were images and items
that reflected vibrant Jewish communities over the course of centuries. There
were paintings and expressions of our ritual and religious tradition that had
been created even amid the harsh reality of a seeming ghetto/village that
expressed anti-Semitism through subterfuge and hidden cruelty. There were
visual portrayals of the developing Jewish community in what is now the State
of Israel, which is approaching the 70th anniversary of its creation.
As we now observe our festival of
Passover, with its theme of freedom, it bears a strong message for us in the
present day. We are standing on the shoulders of Jews and their communities
that demonstrated commitment and persistence in sustaining Jewish life. We, as
members of a Jewish congregation and community in the United States, have the
unique opportunity to maintain that spirit for the present and the future. We
declare, as the Passover Seder concludes, “Next Year in Jerusalem!” May the
“next year” and the decades to come in Las Cruces and throughout the world bring
an ongoing renewal of the Jewish soul, in our taste buds, for sure, but,
primarily, in our minds, hearts and souls!
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