Tuesday, March 12, 2019
Jewish American or American Jew? Reconsidered - March 4, 2019 (Post on Facebook)
Sunday, March 3, 2019
Help us to be builders - Invocation for "Exploring our Temple" leadership session at Temple Beth-El Las Cruces on March 3, 2019
Thursday, February 28, 2019
In any language do not forsake your roots - Column for Las Cruces Bulletin on March 1, 2019
My father often told me that, when he was young, his home was bilingual. He and his brothers spoke both Yiddish and English. My grandfather’s decade in South Africa prior to immigrating to the United States provided him with fluency in English, but he continued to speak and read Yiddish.
In the Lithuanian village that was the home of the Karol family, a number of languages were spoken, especially Yiddish. I learned some Yiddish words when I was growing up, and my father taught me how to “decode” the Yiddish language (to correctly pronounce words in a written text) using a Yiddish-Hebrew bible.
You probably know a few Yiddish words without realizing it. Spiel (to play or present), maven (an expert), schlep (to drag/carry an object), bagel, and others have migrated into the English language.Perhaps some of you have seen the musical “Fiddler on the Roof,” which portrays Jewish life in a small town in Russia in 1905. The original script, with memorable songs by Jerry Bock and Sheldon Harnick, featured a smattering of Yiddish expressions, because Yiddish would have been the main language spoken in such a community.
This show, which opened on Broadway in 1964, has been performed in many languages around the world. It is no surprise that “Fiddler” was also translated into Yiddish in 1966 by Warsaw native Shraga Friedman.
The Yiddish version is especially significant, because the musical was based on Yiddish stories about Tevye the dairyman, written by Sholom Aleichem.
In 2018, Joel Grey, best known as the “Master of Ceremonies” in the movie “Cabaret” (and father of Jennifer Grey, “Baby” of Dirty Dancing) took on the challenge of directing the first performances of “Fiddler on the Roof” in Yiddish in the United States.
On February 11, the well-attended production moved to an Off-Broadway theater on 42nd Street in New York City from its original host venue at the Museum of Jewish Heritage in New York’s Battery Park.
Rhonda and I attended the February 16 performance of “Fiddler on the Roof” in Yiddish.
Most everything looked familiar, as compared to other performances of “Fiddler.” This one included a projection onstage of simultaneous translation of all lyrics and dialogue into English and Russian.
In an interview about the production, Joel Grey noted that the Yiddish added “gravitas” to the musical, as well as an authenticity that recalls the original tales of Tevye.
One of my favorite moments came as Tevye blessed his grandchild before they left their village for the last time to make their way to America. In this production, we could clearly hear him intone the Hebrew of the Priestly blessing, “May the Eternal One bless you and keep you,” from the book of Numbers. That was not called for in the original script.
As we watched this performance, Rhonda and I felt that the Yiddish was just....right. Staging this version of “Fiddler on the Roof” in 2019 makes an unabashed declaration that exploring and rediscovering our roots is not only possible, but crucial.
It was fitting that, on that very day, a distant cousin of mine contacted me, having read one of my previous Bulletin columns about my grandmother. My grandmother Anna and his great-grandmother Minnie were sisters who immigrated to this country over a century ago.
Of course, they both spoke Yiddish.
We can, and should, always remember from where we have come.
Standing Proud: Fiddler on the Roof in Yiddish - Temple Beth-El Las Cruces Adelante Newsletter for March, 2019
On our recent trip to New York City to see our family, Rhonda and I had the opportunity to attend a performance of “Fiddler on the Roof” in Yiddish.
Joel Grey, best known for his role as “Master of Ceremonies” in the movie “Cabaret,” is the director of this production by the National Yiddish Theatre that first had a successful run at the Museum of Jewish Heritage in Battery Park. It moved on February 11 to Stage 42, an Off-Broadway theater on 42nd Street (and will continue through September 1).
We knew that we were familiar enough with the dialogue that, even without translation, we would be able to understand just about everything during the per- formance, This production provided translation, into English and Russian, that the audience could follow, projected onto the scenery at both stage left and stage right.
The combination of hearing then Yiddish and seeing the English enriched our experience. Moreover, it was authentic.
“Fiddler on the Roof” was a stage adaptation of Sholom Aleichem’s Yiddish stories about Tevye the Dairyman, with Sheldon Bock and Jerry Harnick creating memorable songs. When it opened in 1964, with Zero Mostel cast in the role of Tevye, it was an instant hit (Steven Skybell portrays Tevye in this production).
The “Tevyes” I have seen in the past include legendary singers Jan Peerce and Theodore Bikel. I have, not surprisingly, heard each of those musical stars sing songs in Yiddish. Something tells me they would be smiling down at this new production of “Fiddler.”
Actually, it is not new. Shraga Friedman, a native of Warsaw, translated the entire show into Yiddish in 1966. It was staged in Israel in Yiddish, and it was also translated into Hebrew.
This Yiddish “Fiddler” had never been performed in the United States. How fitting it is that the son of Yiddish entertainer Mickey Katz (and, of course, the father of Jennifer Grey, “Baby” in Dirty Dancing) would be so instrumental in bringing this performance to the American stage.
The feel of the show was the same as other performances we have attended, but...different.
The Yiddish dialogue provided an unmistakable depth to the musical. It sounded right. It was like going back in a time machine to most any shtetl in Russia/ Poland.
The characteristic highlights, including the bottle dance in the wedding scene, “L’Chayim (the chorus was “Zol Zein, Mit Glick, L’Chayim!”), the dream sequence, and “Sabbath Prayer” were all well done.
It was special to hear familiar Yiddish words in the lyrics and dialogue.
My knowledge of the Yiddish language is limited to the words my father taught me beyond terms that had migrated into English. Using the Hebrew-Yiddish Bible translation completed by the poet Yehoash, which now sits on my shelf in my office, my father made sure I knew how to “decode” Yiddish, teaching me which letters became vowels so that I could correctly sound out a Yiddish text.
At least two moments stood out for me. The use of the word “pogrom” in the Constable’s announcement to Tevye of the coming attack on the Jews of the village had a foreboding ring to it in the absence of the term “demonstration” used in the English dialogue of the original script.
At the end, when the villagers were about to leave Anatevka for the last time, Tevye intoned a blessing on his grandchild, held by his daughter, Tzeitel, reciting the Hebrew “Y’varechecha Hashem V’Yish’m’recha (May the Eternal Bless You and Keep You).” It was a poignant moment that was not noted in the original script.
There were many men in the audience wearing kippot, and it is likely that some people attending understood every word they heard.
At the very end, as Tevye’s family began to exit the stage, the dairyman motioned to the Fiddler to follow along. In this case, the Fiddler did not play, but simply held the violin at her side, stood up straight and proudly walked towards an uncertain but promising future.
Today, we are certain and definitely proud of who we are. May we always remember from where we came, whatever our background, and take it with us as a trusted and cherished companion along our journey.
Tuesday, February 26, 2019
Invocation for Temple Beth-El Las Cruces Forum on "Israel and Understanding Anti-Semitism" - February 24, 2019
Friday, February 22, 2019
Mercy, Grace, Patience - A Prayer for Ki Tisa (Remember the Golden Calf and the New Tablets) - February 22, 2019
God of our Ancestors,
Beacon of wisdom,
Light of freedom,
Guide for our path,
Keep us humble
When we see expressions and actions
Based in arrogance.
Enliven our outrage
And channel it to constructive means and ends
When we witness abuses of power.
When your children in this world
Seek to fashion new golden calves
That pay homage to greed
And that demand blind allegiance,
Enable us to pull ourselves back from the brink
So that the liberty we have won
And that we labor to keep
Will be maintained for all people in our communities.
God of our Ancestors,
Beacon of wisdom,
Light of freedom,
Guide for our path,
Keep us focused
On the values presented to Moses
Standing on a mountain for a second time:
Mercy, Grace, Patience, Lovingkindness, Honesty, and
Generosity of spirit.
May we emulate these principles in our lives
So that we can be
Humble, hopeful,
Peaceful and faithful
remembering who we are
And who we can truly be.
Amen.
Thursday, February 21, 2019
Invocation - Temple Beth-El Las Cruces Board Meeting - February 21, 2019
Eternal One,
Source of strength,
Our Help in time of need,
Our Inspiration when we seek wisdom and ingenuity,
Our Teacher when challenges before us call for creative solutions,
Bless our gatherings in this holy space.
May our conversations be marked with words imbued with sacred purpose
May our actions reflect understanding and respect.
May the work of our hands bring us closer to one another
As we discover the ways in which our combined knowledge
And our coordinated approaches and shared intentions
Can lead us to a feeling of oneness
That reflects the Oneness that is You.
May our partnership and companionship
Spread throughout our entire community
So that others will join our circle of hope, peace, and love.
May our prayers to You
Sustain our souls
For the work that lies ahead.